Showing posts with label Lyrics. Show all posts
Showing posts with label Lyrics. Show all posts

Thursday, July 22, 2010

Lyric Analysis Master Class Day 2

I hope you were paying attention during the last class. Today's lesson is much more advanced and in general much more important than the introductory class. To review, musical artists sometimes hide hidden meanings and philosophical commentary in the lyrics of their songs. This class will attempt to extract those meanings and make you better people in the process. Open your ears, close your eyes, button up your sweater (I'm looking at you, lady) and take off your shoes. Here we go.

“The Final Countdown” by Europe

We're leaving together
But still it's farewell
And maybe we'll come back
To earth, who can tell?
I guess there is no one to blame
We're leaving ground
Will things ever be the same again?

It's the final countdown
The final countdown


Analysis: The continent of Europe is planning on detaching from the Earth and traveling into Outer Space. Obviously, they forget the time that Jamaica tried the same thing with a “Weed Rocket” that was really just a giant joint. They got so stoned that they thought their houses were giant bags of Cheetos and started eating their way through drywall and plaster. Needless to say, this is a bad idea Europe. Stay on mother earth, for your children’s sake.

“Stairway to Heaven” by Led Zeppelin

There's a lady who's sure
All that glitters is gold
And she's buying a stairway to heaven

When she gets there she knows
If the stores are all closed
With a word she can get what she came for

Ooh, ooh, ooh, ooh, ooh
And she's buying a stairway to heaven


Analysis: Oprah is shopping again.

“Round Here” by Counting Crows

Maria says she's dying
Through the door, I hear her crying
Why? I don't know

Round here we always stand up straight
Round here something radiates


Analysis: Some chick named Maria is being overly dramatic again while everyone in town stands up straight and farts. This song makes me homesick.

“Safety Dance” by Men Without Hats

We can dance if we want to
We can leave your friends behind
'Cause your friends don't dance and if they don't dance
Well they're no friends of mine
I say, we can go where we want to
A place where they will never find
And we can act like we come from out of this world
Leave the real one far behind
And we can dance


Analysis: Some hipster jerkwads want you to ditch your friends because they don’t want to dance like dipshits. “A place they will never find” is probably just their sports-themed apartment with lame pseudo-metal blaring through their weak speakers. They will offer you some Bud Light Lime and a bowl of stale Wheat Thins while trying to feel you up. I’ll give you a tip: Men without Hats are probably not wearing hats because they couldn’t find one to fit their steroid-inflated balloon noggins. Don’t say I didn’t warn you.

“Birdhouse In Your Soul” by They Might Be Giants

Blue canary in the outlet by the light switch
Who watches over you
Make a little birdhouse in your soul
Not to put too fine a point on it
Say I'm the only bee in your bonnet
Make a little birdhouse in your soul


Analysis: Your bedroom is infested with bees and killer bluebirds that get their power directly from electrical sockets. Sleep well little angels. *sinister laugh*

“Message in a Bottle” by The Police

I'll send an S.O.S. to the world
I'll send an S.O.S. to the world
I hope that someone gets my
I hope that someone gets my
I hope that someone gets my
Message in a bottle, yeah
Message in a bottle, yeah
Message in a bottle, yeah
Message in a bottle, yeah


Analysis: Someone needs to stop drinking and staying up late watching sappy movies about impossible romances and “wronged wives” and general "depressionality" (trademark).

Homework Assignment: Write a 20,000 word essay on the meaning of these lyrics:

"Electric Avenue" by Eddy Grant

We gonna rock down to Electric Avenue
And then we'll take it higher
Oh we gonna rock down to Electric Avenue
And then we'll take it higher


Talking points:

1. Where is 'higher' and how does it relate to the drug culture of today's society vis-a-vis the blah blah blah and the heretofore such and such?
2. What is 'Electric Avenue' as related to the um...hey a penny!
3. Who ate the last twinkie?
4. How many times do I have to tell you to replace the twinkies when you finish them?
5. Seriously, who ate it?
6. Do we have to sit here all day?
7. Whatever happened to Eddy Grant?
8. Is it true that Eddy Grant morphed overnight into Whoopi Goldberg right under America's nose?
9. Is is possible to rock UP to Electric Avenue depending on where you live (and the bus schedules)?
10. Who dat ninja?

Wednesday, March 3, 2010

Lyric Analysis Master Class

Welcome to Lyrics Analysis Master Class where I will be your guide through the somewhat baffling world of popular music lyrics. Many modern artists embed hidden meanings and riddles in every lyric they write, forming a varied and rich tapestry of delight in their songs. In this class, I will take some excerpts from these popular songs and attempt to decipher the true meaning behind what has been written and recorded. I hope you will be enlightened by what the bards of our age are trying to tell you through song. Pencils ready...

“Sledgehammer” by Peter Gabriel

Show me round your fruitcage
'cos I will be your honey bee
Open up your fruitcage
Where the fruit is as sweet as can be


Analysis: Peter Gabriel wants to fuck a fruit cage. I can’t think of any other thing the “fruit cage” may represent, in this case.

“Viva La Vida” by Coldplay

It was the wicked and wild wind
Blew down the doors to let me in
Shattered windows and the sound of drums
People couldn't believe what I'd become


Analysis: Coldplay shit himself after an all night binge at a two dollar buffet.

“Every Little Thing She Does Is Magic” by The Police

Do I have to tell the story
Of a thousand rainy days since we first met
It's a big enough umbrella
But it's always me that ends up getting wet


Analysis: Sting’s condom broke one thousand days in a row. This represents a startling instance of all-time bad luck, even for a police officer.

“Loser” by Beck

Forces of evil in a bozo nightmare
Banned all the music with a phony gas chamber
'Cause one's got a weasel and the other's got a flag
One's got on the pole shove the other in a bag
With the rerun shows and the cocaine nose job
The daytime crap of a folksinger slob
He hung himself with a guitar string

Slap the turkey neck and it's hangin from a pigeon wing
You can't write if you can't relate
Trade the cash for the beef for the body for the hate
And my time is a piece of wax, fallin' on a termite
That's chokin on the splinters


Analysis: Self-explanatory really. Open your friggin’ ears.

“Abracadabra” by the Steve Miller Band

Every time you call my name
I heat up like a burnin' flame
Burnin' flame full of desire
Kiss me baby, let the fire get higher

Abra-abra-cadabra
I want to reach out and grab ya
Abra-abra-cadabra
Abracadabra


Analysis: Steve Miller is a Vampire Magician. An alternate take on these lyrics: Steve Miller has a faulty hearing aid that combusts upon any contact with sound.

“Back In Black” by AC/DC

'Cause I'm back
Yes, I'm back
Well, I'm back
Yes, I'm back
Well, I'm back, back
(Well) I'm back in black
Yes, I'm back in black

Well, I'm back, Yes I'm back
Well, I'm back, Yes I'm back
Well, I'm back, back
Well I'm back in black
Yes I'm back in black

hooo yeah
Ohh yeah
Yes I am
Oooh yeah, yeah Oh yeah
Back in now
Well I'm back, I'm back
Back, I'm back
Back, I'm back
Back, I'm back
Back, I'm back
Back
Back in black
Yes I'm back in black


Analysis: This is clearly a denouncement of the Marxist regime of the early ‘30s. Note the use of the color Black and how it relates to where the singer is located at the time (Back). The fact that the singer is wearing Black should not be lost on the listener as it clearly represents his attempts at cloaking his latent homosexuality in a color that is generally thought to make the wearer look “thinner” in this case meaning “less gayer”.

That will be all for today. Your homework for next class will be a 10,000 word essay on this lyric’s meaning (from The Beatles):

Yeah, you got that something
I think you'll understand
When I feel that something
I want to hold your hand

I want to hold your hand
I want to hold your hand
I want to hold your hand


Please write the essay in Latin and use at least 20 sources to back up your hypothesis. Good day to you.

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